Abin’s work uses found objects and imagery to construct imagined, animalistic forms that draw upon the aesthetics of historical and contemporary measuring instruments, as well as archival documents, news items, and photographs. Working across sculpture, painting and installation, Sreedharan consciously attempts to engage with the spoken and unspoken elements of the Indian art language in relation to subaltern and marginalized positions. Through his work he aims to highlight the historical and contemporary tensions grounded in these positions, and his own social identity. _“I've observed that in the world, all individuals are consistently subjected to measurement. Living without prejudice seems an impossible feat in this global context, where I've encountered challenges in preserving evidence of my race. My artistic transformation serves as an ongoing effort to reclaim and restore that lost narrative. It's a journey that spans from the confines of my home, through the lens of race, into the broader world, and back home again, envisioning a utopian trajectory.”_ _~ Abin Sreedharan_