Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Artists

Varnita Sethi

Satyaranjan Das

Anshu Singh

Dayananda Nagaraju

Skarma Sonam Tashi

Ayan Biswas

Anup Let

Oliva Saha

Tapan Moharana

Sreeju Radhakrishnan

Abin Sreedharan

Pankaj Vishwakarma

Gopa Roy

Nabanita Guha

Manjit Gogoi

Artists

Varnita Sethi

Satyaranjan Das

Anshu Singh

Dayananda Nagaraju

Skarma Sonam Tashi

Ayan Biswas

Anup Let

Oliva Saha

Tapan Moharana

Sreeju Radhakrishnan

Abin Sreedharan

Pankaj Vishwakarma

Gopa Roy

Nabanita Guha

Manjit Gogoi

Artists

Varnita Sethi

Satyaranjan Das

Anshu Singh

Dayananda Nagaraju

Skarma Sonam Tashi

Ayan Biswas

Anup Let

Oliva Saha

Tapan Moharana

Sreeju Radhakrishnan

Abin Sreedharan

Pankaj Vishwakarma

Gopa Roy

Nabanita Guha

Manjit Gogoi

Anshu Singh

B.

1989

New Delhi

Her practice is conceptually navigating the boundaries of artistic practice and artisanship, working in the favour of the authorship of the artisan politically, specially women and Muslims who make up the majority of the workforce. Describing herself as a ‘Hathkargah’ or someone who weaves by hand using a handloom she is self aware of her position and materiality.

Anshu Singh

B.

1989

New Delhi

Her practice is conceptually navigating the boundaries of artistic practice and artisanship, working in the favour of the authorship of the artisan politically, specially women and Muslims who make up the majority of the workforce. Describing herself as a ‘Hathkargah’ or someone who weaves by hand using a handloom she is self aware of her position and materiality.

Anshu Singh

B.

1989

New Delhi

Her practice is conceptually navigating the boundaries of artistic practice and artisanship, working in the favour of the authorship of the artisan politically, specially women and Muslims who make up the majority of the workforce. Describing herself as a ‘Hathkargah’ or someone who weaves by hand using a handloom she is self aware of her position and materiality.

Daily Life Tools 4 (Set of 6)

2022

Beads Embroidery on paper

15.75 x 11.81 inches (each)

Daily Life Tools 4 (Set of 6)

2022

Beads Embroidery on paper

15.75 x 11.81 inches (each)

Daily Life Tools 4 (Set of 6)

2022

Beads Embroidery on paper

15.75 x 11.81 inches (each)

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com