Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Abstract white curved architectural background

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human. 

Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K

Harish Lal Arya

Gayathri A P

Dayananda Nagaraju

Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K

Harish Lal Arya

Gayathri A P

Dayananda Nagaraju

Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K

Harish Lal Arya

Gayathri A P

Dayananda Nagaraju

Pankaj Vishwakarma

B.

1986

Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._

artworks

2025

Mixed media on paper

58 × 50 inches

Teakwood frame with glass - ready to hang. 

Whistling the Dews

2024

Watercolour on Fabriano paper

11.5 x 9.4 inches

\-

Teakwood frame with glass - ready to hang. 

Daydreaming

2023

Watercolour on Fabriano paper

11.9 x 8.00 inches

\-

Teakwood frame with glass - ready to hang. 

Through the Reminiscence of landscapes

2025

Acrylic on canvas

36 x 48 inches

No

Teakwood frame with glass - ready to hang. 

A Map of the Inner Territory

2025

Acrylic, Ink, and Stitching on Cloth

Teakwood frame with glass - ready to hang. 

Melting Landscape 2

2023

Enamel paint and varnish on canvas

48 inch X 48 Inch

Teakwood frame with glass - ready to hang. 

Image

Reclaimed Radiance-1

2023-24

Rejected alluminum cans

72x 108 inch (6 parts assembled

Teakwood frame with glass - ready to hang. 

Pankaj Vishwakarma

B.

1986

Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._

artworks

2025

Mixed media on paper

58 × 50 inches

Teakwood frame with glass - ready to hang. 

Whistling the Dews

2024

Watercolour on Fabriano paper

11.5 x 9.4 inches

\-

Teakwood frame with glass - ready to hang. 

Daydreaming

2023

Watercolour on Fabriano paper

11.9 x 8.00 inches

\-

Teakwood frame with glass - ready to hang. 

Through the Reminiscence of landscapes

2025

Acrylic on canvas

36 x 48 inches

No

Teakwood frame with glass - ready to hang. 

A Map of the Inner Territory

2025

Acrylic, Ink, and Stitching on Cloth

Teakwood frame with glass - ready to hang. 

Melting Landscape 2

2023

Enamel paint and varnish on canvas

48 inch X 48 Inch

Teakwood frame with glass - ready to hang. 

Image

Reclaimed Radiance-1

2023-24

Rejected alluminum cans

72x 108 inch (6 parts assembled

Teakwood frame with glass - ready to hang. 

Pankaj Vishwakarma

B.

1986

Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._

artworks

2025

Mixed media on paper

58 × 50 inches

Teakwood frame with glass - ready to hang. 

Whistling the Dews

2024

Watercolour on Fabriano paper

11.5 x 9.4 inches

\-

Teakwood frame with glass - ready to hang. 

Daydreaming

2023

Watercolour on Fabriano paper

11.9 x 8.00 inches

\-

Teakwood frame with glass - ready to hang. 

Through the Reminiscence of landscapes

2025

Acrylic on canvas

36 x 48 inches

No

Teakwood frame with glass - ready to hang. 

A Map of the Inner Territory

2025

Acrylic, Ink, and Stitching on Cloth

Teakwood frame with glass - ready to hang. 

Melting Landscape 2

2023

Enamel paint and varnish on canvas

48 inch X 48 Inch

Teakwood frame with glass - ready to hang. 

Image

Reclaimed Radiance-1

2023-24

Rejected alluminum cans

72x 108 inch (6 parts assembled

Teakwood frame with glass - ready to hang. 

Raju Patel

B.

1973

Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>

artworks

A seed of doom from the day I was born (Series) Set of VI

2025

Acrylic, Gauche, and Plaster on Wood-Panel

72 x 144 in ( Each- 24 x 72 in)

No

Teakwood frame with glass - ready to hang. 

A tigress in her den and her guardian angels

2025

Watercolour on paper

Teakwood frame with glass - ready to hang. 

Raju Patel

B.

1973

Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>

artworks

A seed of doom from the day I was born (Series) Set of VI

2025

Acrylic, Gauche, and Plaster on Wood-Panel

72 x 144 in ( Each- 24 x 72 in)

No

Teakwood frame with glass - ready to hang. 

A tigress in her den and her guardian angels

2025

Watercolour on paper

Teakwood frame with glass - ready to hang. 

Raju Patel

B.

1973

Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>

artworks

A seed of doom from the day I was born (Series) Set of VI

2025

Acrylic, Gauche, and Plaster on Wood-Panel

72 x 144 in ( Each- 24 x 72 in)

No

Teakwood frame with glass - ready to hang. 

A tigress in her den and her guardian angels

2025

Watercolour on paper

Teakwood frame with glass - ready to hang. 

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com

A space for art, reflection,
and quiet creation.

write to us at movement@quietart.com