
Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human.

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human.

Quiet Art Movement is where art breathes. We give artists time, care, and freedom – a garden for work to grow deep roots. We’re here to widen what art can mean – quieter, slower, more human.
Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K
Harish Lal Arya

Gayathri A P

Dayananda Nagaraju
Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K
Harish Lal Arya

Gayathri A P

Dayananda Nagaraju
Artists

Pankaj Vishwakarma

Raju Patel

Sumeshan K
Harish Lal Arya

Gayathri A P

Dayananda Nagaraju
Pankaj Vishwakarma
B.
1986
Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._
artworks

2025
Mixed media on paper
58 × 50 inches
Teakwood frame with glass - ready to hang.

Whistling the Dews
2024
Watercolour on Fabriano paper
11.5 x 9.4 inches
\-
Teakwood frame with glass - ready to hang.

Daydreaming
2023
Watercolour on Fabriano paper
11.9 x 8.00 inches
\-
Teakwood frame with glass - ready to hang.

Through the Reminiscence of landscapes
2025
Acrylic on canvas
36 x 48 inches
No
Teakwood frame with glass - ready to hang.

A Map of the Inner Territory
2025
Acrylic, Ink, and Stitching on Cloth
Teakwood frame with glass - ready to hang.

Melting Landscape 2
2023
Enamel paint and varnish on canvas
48 inch X 48 Inch
Teakwood frame with glass - ready to hang.

Reclaimed Radiance-1
2023-24
Rejected alluminum cans
72x 108 inch (6 parts assembled
Teakwood frame with glass - ready to hang.
Pankaj Vishwakarma
B.
1986
Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._
artworks

2025
Mixed media on paper
58 × 50 inches
Teakwood frame with glass - ready to hang.

Whistling the Dews
2024
Watercolour on Fabriano paper
11.5 x 9.4 inches
\-
Teakwood frame with glass - ready to hang.

Daydreaming
2023
Watercolour on Fabriano paper
11.9 x 8.00 inches
\-
Teakwood frame with glass - ready to hang.

Through the Reminiscence of landscapes
2025
Acrylic on canvas
36 x 48 inches
No
Teakwood frame with glass - ready to hang.

A Map of the Inner Territory
2025
Acrylic, Ink, and Stitching on Cloth
Teakwood frame with glass - ready to hang.

Melting Landscape 2
2023
Enamel paint and varnish on canvas
48 inch X 48 Inch
Teakwood frame with glass - ready to hang.

Reclaimed Radiance-1
2023-24
Rejected alluminum cans
72x 108 inch (6 parts assembled
Teakwood frame with glass - ready to hang.
Pankaj Vishwakarma
B.
1986
Baroda, Gujarat

_My work takes shape from a life lived between places — from Azamgarh’s rural fields to Ankaleshwar’s industrial rhythms. Using enamel, wall paint, cardboard, aluminum and foil, I gather the materials of migration and labour into forms that gently unsettle ideas of belonging, identity and value. In these transformed surfaces, everyday materials speak their own politics, offering a way to think about what art can hold. My art is a practice that imbibes its social engagement and politics in its production rather than in its figurative depiction._
artworks

2025
Mixed media on paper
58 × 50 inches
Teakwood frame with glass - ready to hang.

Whistling the Dews
2024
Watercolour on Fabriano paper
11.5 x 9.4 inches
\-
Teakwood frame with glass - ready to hang.

Daydreaming
2023
Watercolour on Fabriano paper
11.9 x 8.00 inches
\-
Teakwood frame with glass - ready to hang.

Through the Reminiscence of landscapes
2025
Acrylic on canvas
36 x 48 inches
No
Teakwood frame with glass - ready to hang.

A Map of the Inner Territory
2025
Acrylic, Ink, and Stitching on Cloth
Teakwood frame with glass - ready to hang.

Melting Landscape 2
2023
Enamel paint and varnish on canvas
48 inch X 48 Inch
Teakwood frame with glass - ready to hang.

Reclaimed Radiance-1
2023-24
Rejected alluminum cans
72x 108 inch (6 parts assembled
Teakwood frame with glass - ready to hang.
Raju Patel
B.
1973
Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>
artworks

A seed of doom from the day I was born (Series) Set of VI
2025
Acrylic, Gauche, and Plaster on Wood-Panel
72 x 144 in ( Each- 24 x 72 in)
No
Teakwood frame with glass - ready to hang.

A tigress in her den and her guardian angels
2025
Watercolour on paper
Teakwood frame with glass - ready to hang.
Raju Patel
B.
1973
Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>
artworks

A seed of doom from the day I was born (Series) Set of VI
2025
Acrylic, Gauche, and Plaster on Wood-Panel
72 x 144 in ( Each- 24 x 72 in)
No
Teakwood frame with glass - ready to hang.

A tigress in her den and her guardian angels
2025
Watercolour on paper
Teakwood frame with glass - ready to hang.
Raju Patel
B.
1973
Baroda, Gujarat

Born in Jharkand in 1973, painter Raju Patel produces powerful expressions of his experience of disability. He received his diploma (2000) and post-diploma (2002) in painting from Maharaja Sayajirao University, Baroda. In the time since then he has explored his experience of India’s social, cultural, and physical landscape as a disabled artist. He has held two solo exhibitions: “Stand By Me” at Knots Art Space in Baroda (2016) and “Renitent Bodies” at Asia Culture Center, South Korea (2017). He also participated in over 50 group exhibitions, including the 58th National Exhibition of Art in Bangalore, and several workshops and camps across the country. He was awarded a merit scholarship by his university; a 2009-2010 Junior Fellowship by the HRD, Ministry of Culture, Government of India; and the 2010 Navdeep Pratishthan Award for painting. He continues to paint and participate in the thriving art world in Baroda and beyond. Patel’s watercolor paintings delve into themes that he faces in his daily life: (dis)ability, social exclusion, the body as vehicle, and interactions with physical environments. Though his collection of work contains diverse motifs, his core subjects include locomotor impairment and symbols of mobility: shoes, feet, athletics, and communication tools. The watercolors are often muted yet layered and rich, displaying a unique mastery of the medium. While his paintings sometimes tend toward the smaller size, he uses the space carefully to create thoughtful and nuanced statements on the place of disability in our world. <https://www.notjustartglobal.org/artist-of-the-year#raju-patel-biography>
artworks

A seed of doom from the day I was born (Series) Set of VI
2025
Acrylic, Gauche, and Plaster on Wood-Panel
72 x 144 in ( Each- 24 x 72 in)
No
Teakwood frame with glass - ready to hang.

A tigress in her den and her guardian angels
2025
Watercolour on paper
Teakwood frame with glass - ready to hang.
A space for art, reflection,
and quiet creation.
write to us at movement@quietart.com
A space for art, reflection,
and quiet creation.
write to us at movement@quietart.com
A space for art, reflection,
and quiet creation.
write to us at movement@quietart.com
