My artistic practice investigates the intersections of landscape, land, border politics, farming cultures, climate change, ecology, and the environment, examining how these forces shape human existence. The work reflects on the ways societies construct boundaries—familial, environmental, and communal—and considers how such divisions, when silent or invisible, generate lasting internal and collective wounds. This series represents contemporary social conditions through the forms, textures, and linear rhythms of the landscape itself. Growing up in a farming family near the Indo–Bangladesh border has deeply informed my understanding of land as both sustenance and a site of control, memory, and conflict. The border is not only a political line but a lived condition that shapes labor, movement, and belonging. The visual language of the work emerges from sustained observation of the natural world. Soil textures, leaves, tree bark, ant holes, and other organic elements function as material references and metaphors. Through these forms, the landscape becomes a carrier of social histories, ecological vulnerability, and human resilience.